🌙 A Porch Light Essay
Apparently, there are many ways to become memorable during a hospital stay.
Mine involved sleeping so deeply that an entire medical team struggled to wake me—and the only response they managed to get was:
“Are you printing out the book?”
I had not slept the night before. By the following evening, I was carrying more exhaustion than my body knew how to hold. I had not received my nighttime pain medication or Klonopin. When they came to give me a breathing treatment, I was already falling asleep.
The doctor looked at me and said, “Go to sleep. Your body needs it.”
So I did.
A little too enthusiastically, apparently.
While I slept, people came into my room and tried to wake me. They called my name. They shook me. They slapped my cheeks. The charge nurse came in. Someone brought Narcan into the room as a precaution, although they never had to administer it.
My vitals were good when they checked them. Even my blood pressure—the number that had spent much of my hospital stay behaving like it had joined an experimental theater troupe—was behaving itself.
But I remained deeply asleep.
Bridger was there, watching the concern grow around me. When I finally responded, I did not ask where I was. I did not ask why everyone was standing over me. I did not offer some profound message from the edge of consciousness.
I asked him if he was printing out the book.
Because of course I did.
He then had to explain the website, the books, and everything I have written to a room full of worried medical professionals. By the next morning, it seemed as though every person in the hospital knew what had happened. Nurses knew. Doctors knew. The hospitality crew knew.
I had become hospital folklore overnight.
When I woke the next morning, there was an oxygen tube in my nose.
My first thought was not especially poetic.
It was closer to: What the hell happened, and why am I wearing this?
My husband filled in the missing pieces. Everyone else filled in the rest.
I can laugh about it now because I am home and well enough to laugh. Humor has always been one of the ways I make room beside the frightening things. It does not erase their seriousness. It simply keeps fear from occupying every chair.
And fear has already taken up enough space lately.
In the past six weeks, I have had two experiences that came much closer to death than I am comfortable admitting. The first came when internal bleeding left me needing a transfusion of two pints of blood. Before I had fully understood what that experience had done to me, I found myself back in the hospital again—my blood pressure swinging, my body exhausted, and life once more feeling far more fragile than it had only weeks before.
I have written openly about my health across every platform where I share my life and work because, from the beginning of Voice With a Purpose, one of the promises beneath everything I have built has been to remain honest and relatable.
I want readers to recognize something of themselves here. I want someone living through a frightening diagnosis, a complicated body, or an exhausting season to know they are not the only one.
I have never wanted to appear here as a carefully edited voice floating above the ordinary realities of having a body.
This body hurts.
It bleeds.
It becomes tired.
Sometimes it frightens me.
Sometimes it frightens everyone else while I am peacefully unconscious and apparently managing publishing logistics from another dimension.
That openness is not a request for sympathy. It is part of what I have always promised you. If I am going to write about courage, survival, belonging, and what it means to remain, then I cannot quietly remove the parts where remaining is messy.
I cannot write only after the danger has passed and everything has become a lesson.
Sometimes there is no lesson yet.
Sometimes there is only the strange experience of returning home.

Home feels wonderful. It also feels different in a way I cannot fully explain. The rooms are the same. My bed is the same. The familiar things are sitting exactly where I left them.
But I am not standing among them in quite the same way.
After coming so close to losing your life, ordinary things can feel both comforting and unfamiliar. You are grateful to be home, but some part of you is still wandering the hospital corridors. Some part of you is still listening for the monitor, waiting for the next blood-pressure reading, or wondering who will walk through the door.
Your body has come home before the rest of you has completely caught up.
I am still physically and mentally tired. I am still getting short of breath. I have the medication for my nebulizer and will pick up the machine Monday morning.
But I feel well.
Not perfectly restored. Not transformed into a shining monument to gratitude. Not pretending I have already made sense of everything that happened.
Just better.
Much better than when I entered the hospital.
These two near-death experiences have given me thoughts and perspectives I am still learning how to carry. Some are grateful. Some are frightened. Some are tender. Some are angry. Some have no language yet.
I do not intend to force them into meaning before they are ready.
Perhaps that is the strangest part of coming home: realizing that survival is not the conclusion of the story. It is simply the place where you open your eyes and discover that the story is still being written.
I do not yet know what these past six weeks will become inside me.
I only know that I came home.
I slept.
I woke up.
The words are still here.
So am I.
And, for the record, I would still like to know whether he printed out the book.
There is room for you here—even when coming home feels strange.
The porch light is on.








